发售【北京】2020北京国际青年戏剧节 话剧《绝对飞行机》

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程文明 独立剧场导演

编剧 演员

那边实验剧团发起人

多年来随日本小剧场运动之父佐藤信学习集体创作

 

他致力于探索当代剧场的多种可能性,以“身体”为媒介,对话身体,以“剧场”投射剧场,同时创造不同语境中的对话。并尝试搭建亚洲艺术家及艺术平台网络的形成。创作上,以“身体”跨界为基点,将其与其他文化中的身体,包括科技,物理,公公场景等,相互结合,创作作品,并从集体中解放个体,寻求表达。

 

Director of Cheng Wenming's independent Theater

Screenwriter actor

 

The founder of the experimental troupe over there

 

For many years, he studied collective creation with Sato, the father of Japanese small theater movement

 

He is committed to exploring the various possibilities of contemporary theater, using body as the medium, dialogue with the body, projecting theater with theater, and creating dialogue in different contexts. And try to build a network of Asian artists and art platforms. In terms of creation, based on "body crossover", we combine it with bodies in other cultures, including science and technology, physics, and public scenes to create works, and liberate individuals from the collective to seek expression.

 

作品介绍

《绝对飞行机》是佐藤信先生因911事件后,全世界范围内相继发生的多起恐怖袭击,而迫使人们生活在,恐惧,暴力之下。却又无力为之的无奈。战争是非常糟糕的对话,他用近十年的时间,去坊到各处,收集真实的故事,翻阅相关资料,反复修改,最终完成写作。

剧作中,大楼倒塌的那一刻,事件便在世界各地演变,那些破碎的建筑物和那些破碎的故事,破碎的人,一个个拼接在一起,形成了一幅幅让人无法忘却的画面和一个个关于人类终极的梦想。

 

"Absolute flight" is Mr. Sato after the 9 / 11 incident.A number of terrorist attacks have occurred in succession all over the world.which forced people to live in fear and violence, but the helpless of people were unable to do it! War is a very bad dialogue. He spent nearly ten years going to various places to collect real stories, read relevant materials, revise them repeatedly, and finally finish writing

 

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